Finally, after 22 years. First performance of my dialectical mass, which contains several prophane poems as a relief to the liturgical parts.
I composed this mass 1998 -99 for the new millennium. Sometimes, time flies and things tend to go in other directions than first expected.
Now, 2022, I am a part of a wonderful collaborative process initiated by creative motor and organist Hans Davidsson, with sound/visual artists Carl and Åsa Unander-Scharin, video artist Lene Juhl, premiere dancers Oscar Salomonson andNatalie Ogonek among others.
We will create a musical/visual happening during the two day- church music symposium 16-17/9, in which Missa Praesentis Dialectica is included. I am truly humble and happy to presentbe a part of this. Anna-Maria Friman-Henrikson s, Amanda Flodin a, Carl-Unander-Scharin t, Karl-Peter Eriksson b. Paul Spjuth trot, Hans Davidsson org, Camerata Upsaliae – 10 strings under Amus Kerstin Andersson, Uppsala Academic Chamber Choir. Cond: Stefan Parkman. WELCOME TO JOIN US SATURDAY!


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